Born 1935 in Fukui Prefecture. Completed course at Kuwasawa Design School in 1959, winning the Rookie prize of the Photographic Society of Japan. Major exhibitions include Fuko na Wakamonotachi ("Unhappy Youths"), Natural and Fufu no Shozo ("Portraits of Married Couples"). Other work includes the photo-document mystery Sachiel-shi no Passport ("The Passport of Mr. Sachiel") Ishiguro is also involved in a variety of other projects including films such as Ningen Johatsu (A Man Vanishes ) (DOP) and Muryoku no Oo ("King Without Power") (director). A director of the Tokyo College of Photography. The Human Being is my theme. How to express that process of human activity from birth to death in an instant. Digital images have always been better at expressing human sensuality and luster than silver halide cameras, but the E-1 really maximizes this feature. I also liked the ZUIKO DIGITAL. I have used ZUIKO lenses before, but this one is softer and gives more warmth. Your feelings are very important when choosing a camera, and I like the E-1. It has just the right weight. It really feels natural in my hand. I've become an evangelist for the E-1. This dust reduction system has rescued we photographers.

Vol.1: Kenji Ishiguro / Brings out the sensuality and luster. Vol.2: Mitsuaki Iwago / I must have been looking forward to the E-1 more than anyone. Vol.3: Kazuo Unno / Perfect for Macro model! I could not live without this camera now. Vol.4: Yasuhiko Miyajima / I'm sold on this camera. Vol.5: Shin Yamagishi / The lens lets you get right up close, which helps along shooting. Vol.6: Kenji Ishiguro / Capturing Thought in the Garden of Time. Vol.7: Mitsuaki Iwago / A feather-light response to the drumming of a woodpecker. Vol.8: Kazuo Unno / That once-in-a-lifetime blue is about to fly away now. Vol.9: Yasuhiko Miyajima / The breath of the painter comes through. Vol.10: Shin Yamagishi / The E-1 answers all my demands on digital cameras for portrait photography.